Overview
Fellowships are open to scholars of any age and rank, from this country or abroad. The stipend is $45,000 per annum. Fellows spend most of their time in research but are asked to teach one seminar on a related topic.
Eligible Candidates
All applicants must be working on topics related to our annual Focal Theme: Sound: Culture, Theory, Practice, Politics
The Society for the Humanities invites scholars to reflect this year upon the theme of “Sound: Culture, Theory, Practice, Politics” as a means of analyzing the resonance of historical and contemporary representations, movements, ideas, and negations of sound.
Representations of sound abound in visual, textual, and aural realms. Storytelling, poetry, music, theater, oral histories, political speeches, and noise find their way in and out of texts, images, and recordings as various kinds of sound travel through different media. From “voicing” to “listening,” sound shapes the framework of much critical and philosophical analysis of the body, affect, and social publics. How does sound function in establishing parameters of psycho-cultural imaginaries, social practice, religious ritual, and political regulation across the globe? How do manifestations of sound differ in the global context of capitalism and cosmopolitanism, not to mention the specificities of ethnic difference and cultural diversity?
How are "voice," “hearing,” and “listening” defined in various disciplines and in relation to aesthetic properties of the disciplines, such as meter, rhythm, montage, and amplification? What criteria are used for differentiating natural from artificial sounds? Does sound challenge disciplinary distinctions between the visual and the oral/aural/tactile? Can the loud noises of industrial culture be distinguished from the synthetic sounds of electronic music, the stammerings of performance and philosophical manifestos, and the burps and sighs of comics and cinematic sound tracks?
Beyond music's embodiment of sound as artistic form, applicants are welcome to consider the broader sense of sonic environments, the role of silence in private and public space and performance, and the ways in which sound underlies life itself, either naturally (the “pink noise” of earthquakes and ocean currents) or negatively (from environmental pollution to torture and warfare). Possible topics might include the use of sound to mark the passage of time; the correlation of sound to the movement of the body in dance and performance; deafness and disability studies; the sonic promise of cartographic projects of social movements and migrations. Of equal import are the cultural impact of the electronic and digital age and the harmonious collusion of the virtual and the visceral in internet-driven communities. Applicants might also consider sound's importance to visual studies, the cultural and ethnic specificity of acoustic fields and rhythms in the age of sampling and mixing, and the gender import of voice and spoken narrative.
This interdisciplinary invitation is open to study of the broadest cross-cultural range of contexts and media that cross the boundaries of time and space, from East and West/South and North.
Contact
Program Administrator
Society for the Humanities
Cornell University
27 East Avenue
Ithaca, NY 14853
Phone: 607-255-9274
Fax: 607-255-1422
Email: humctr-mailbox@cornell.edu
Email: mea4@cornell.edu
Visit the website at http://www.arts.cornell.edu/sochum
Please kindly mention Scholarization.blogspot.com when applying for this fellowship
Fellowships are open to scholars of any age and rank, from this country or abroad. The stipend is $45,000 per annum. Fellows spend most of their time in research but are asked to teach one seminar on a related topic.
Eligible Candidates
All applicants must be working on topics related to our annual Focal Theme: Sound: Culture, Theory, Practice, Politics
The Society for the Humanities invites scholars to reflect this year upon the theme of “Sound: Culture, Theory, Practice, Politics” as a means of analyzing the resonance of historical and contemporary representations, movements, ideas, and negations of sound.
Representations of sound abound in visual, textual, and aural realms. Storytelling, poetry, music, theater, oral histories, political speeches, and noise find their way in and out of texts, images, and recordings as various kinds of sound travel through different media. From “voicing” to “listening,” sound shapes the framework of much critical and philosophical analysis of the body, affect, and social publics. How does sound function in establishing parameters of psycho-cultural imaginaries, social practice, religious ritual, and political regulation across the globe? How do manifestations of sound differ in the global context of capitalism and cosmopolitanism, not to mention the specificities of ethnic difference and cultural diversity?
How are "voice," “hearing,” and “listening” defined in various disciplines and in relation to aesthetic properties of the disciplines, such as meter, rhythm, montage, and amplification? What criteria are used for differentiating natural from artificial sounds? Does sound challenge disciplinary distinctions between the visual and the oral/aural/tactile? Can the loud noises of industrial culture be distinguished from the synthetic sounds of electronic music, the stammerings of performance and philosophical manifestos, and the burps and sighs of comics and cinematic sound tracks?
Beyond music's embodiment of sound as artistic form, applicants are welcome to consider the broader sense of sonic environments, the role of silence in private and public space and performance, and the ways in which sound underlies life itself, either naturally (the “pink noise” of earthquakes and ocean currents) or negatively (from environmental pollution to torture and warfare). Possible topics might include the use of sound to mark the passage of time; the correlation of sound to the movement of the body in dance and performance; deafness and disability studies; the sonic promise of cartographic projects of social movements and migrations. Of equal import are the cultural impact of the electronic and digital age and the harmonious collusion of the virtual and the visceral in internet-driven communities. Applicants might also consider sound's importance to visual studies, the cultural and ethnic specificity of acoustic fields and rhythms in the age of sampling and mixing, and the gender import of voice and spoken narrative.
This interdisciplinary invitation is open to study of the broadest cross-cultural range of contexts and media that cross the boundaries of time and space, from East and West/South and North.
Contact
Program Administrator
Society for the Humanities
Cornell University
27 East Avenue
Ithaca, NY 14853
Phone: 607-255-9274
Fax: 607-255-1422
Email: humctr-mailbox@cornell.edu
Email: mea4@cornell.edu
Visit the website at http://www.arts.cornell.edu/sochum
Please kindly mention Scholarization.blogspot.com when applying for this fellowship
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